Skip to main content
Expressive syntax (parcelling, nominal sentence)

Expressive syntax

Striking through form: parcelling, ellipsis, nominal sentence, repetition.

⚡Key points

Парцелляция→splitting into separate fragments: Он ушёл. Навсегда.
Назывное предложе́ние→nominal sentence (noun only): Ночь. У́лица. Фона́рь.
Эллипсис→omitting the obvious word: Я — нале́во, ты — напра́во.
Повтор→expressive repetition: Ду́мал, ду́мал — и приду́мал.
Expressive / literary register→emotional speech and vivid written style

Devices for impact

Expressive syntax breaks or condenses the sentence for effect. These devices (сре́дства выразительности) are typical of emotional speech and literary style; avoid them in a neutral administrative text.

Parcelling (парцелляция)

Detach to emphasise

1

Isolate an element as a separate sentence

Он ушёл. Навсегда. (He left. Forever.)

Я приду́. Ско́ро. Обеща́ю. (I will come. Soon. I promise.)

2

Reinforce a complement

Она́ верну́лась. Одна. (She came back. Alone.)

💡⚠️ Parcelling isolates to underline

Parcelling splits a sentence into separately punctuated fragments: what would be a complement becomes a separate sentence, and is thus strongly emphasised. Он позвони́л. Наконе́ц-то. An expressive device, emotional speech and literary.
Мы победи́ли. Вме́сте.
И он согласи́лся. Сра́зу.

Ellipsis and the nominal sentence

Condensation devices

Эллипсис (verb omitted)
Я — напра́во, ты — нале́во.
Me to the right, you to the left (“go” implied)
Назывное (noun only)
Ночь. У́лица. Фона́рь.
Night. Street. Lamp. (sets a scene)
Повтор (repetition)
Ду́мал, ду́мал — и приду́мал.
He thought and thought — and came up with it.

Usage

1

Ellipsis: omit the obvious word

— Тебе́ чаю или ко́фе? — Мне — ко́фе. (for me, coffee)

2

Nominal sentence: set a scene

Зима́. Моро́з. Тишина́. (Winter. Frost. Silence.)

💡⚠️ Nominal sentence and ellipsis

The nominal sentence (назывное предложе́ние) is a noun (or noun phrase) that forms a whole sentence on its own, with no verb: it sets a scene or a moment (Ночь. Тишина́.). Ellipsis omits an easily recoverable word, often the verb: Он — в Москву́ (= е́дет / уе́хал).
Ве́чер. Дождь. (scene)
Кто куда́, а я — домо́й. (verb ellipsis)

Dialogue: back from a trip

Ка́тяНу как Пи́тер?
ЛёшаПи́тер. Дожди́. Мосты́. Красота́.
Ка́тяА ты домо́й когда́?
ЛёшаЗавтра. У́тром. Е́сли не просплю́.

Katya: So how was Petersburg? — Lyosha: Petersburg. Rain. Bridges. Beautiful. — Katya: And when are you coming home? — Lyosha: Tomorrow. In the morning. If I do not oversleep.